The routing matrix, rendered in perspective: presets down the left, Managed and Controlled mode toggles and video profile filters at the top, transmitters as rows and receivers as columns, one transmitter expanded into its audio, video and USB routes with check marks where a route is set.

AVoIP Manager · A Panta Rhei service by Kramer

A hundred streamers.
One matrix, one click.

A few encoders and decoders can be managed one at a time. A fleet cannot. AVoIP Manager is the console for every Kramer streamer on the estate: route them, group them, build video walls and KVM, and see every command that was sent.

ManagesKDS-100 · H.264 / H.265KDS-7KDS-17UHD60Cloud or on-premises
Routing

The matrix.
Every encoder, every decoder, one grid.

This is where a fleet is run from. Route one device or a hundred, save the result as a preset, and choose how much the devices themselves are allowed to do.

The Routing matrix: presets down the left with an Active Preset, Managed and Controlled mode toggles and video profile filters for UHD60, KDS-17, KDS-7 and H.264/H.265 at the top; transmitters as rows and receivers and receiver groups as columns, one transmitter expanded into its audio and video routes, with check marks where a route is set.
Encoders as rows, decoders and groups as columns. A check is a route — the whole stream, or only its audio, video or USB.
  • ✦Encoders to decoders, in one grid. Transmitters down the side, receivers and groups across the top. A route is a click; a group routes every device in it at once.
  • ✦The whole stream, or part of it. Route everything, or only the audio, the video or the USB. Filter the matrix by family — KDS-100, KDS-17, KDS-7 and UHD60.
  • ✦Presets, as many as you want. Save a routing as a preset. Apply it over what is active, or replace what is active with it.
  • The manager is the only way in

    Managed mode

    External routing is restricted; devices are locked and everything goes through the manager. Several presets can be active at once, cross-validated against each other and against anything external.

    • Devices locked
    • Multiple active presets
    • Cross-validation
  • The devices stay open

    Controlled mode

    External routing is allowed, so a device can still be driven directly. One preset is the active one; applying another merges into it, provided there are no conflicts.

    • Direct device control allowed
    • One active preset
    • Merge on apply
The manager

Seven screens.
One fleet.

Everything a fleet of streamers needs, each on its own page. Step through them.

The Devices page: every discovered AVoIP streamer with its status, model, firmware version, channel, type — receiver or transmitter — and video profile.A device opened from the list: name, model, serial, version, uptime, buttons for remote web access, device reset, factory reset and blink, and its network details expanded.The Groups page: named groups of receivers or transmitters, each with its video profile, device type and device count, and an Add Group button.A two-by-two video wall in the editor, the source image split across four decoders, each tile numbered and labeled with its device.The KVM page: a two-by-two KVM layout, each position with a transmitter and a receiver, the first marked as master.The Access Control page: a user with one assigned group, and beside it the available devices and groups that can be assigned to them.The Events page filtered to failures, with one event opened in a side panel: the environment, space, device and category, the command that was sent, the device's response — an execution error, unauthorized access — and a Retry button.
  • ✦Devices. Every discovered Kramer streamer — encoder or decoder — with status, model, version and profile.
  • ✦Actions. Open one and act: remote web access, reset, factory reset, blink to find it in the rack.
  • ✦Groups. Many devices as one logical target, so a route or a preset touches all of them in one click.
  • ✦Video wall. A grid or a mosaic across decoders, with the displays defined once and reused.
  • ✦KVM. KVM and KM layouts, so one keyboard and mouse roam across several screens.
  • ✦Access control. Users with partial sight of the fleet, where security or isolation requires it.
  • ✦Events. Every streaming command sent, its result, and a retry when one failed.
Video walls

A wall is drawn,
not configured.

Place the displays where they are, bind each to its decoder, and the source is split across them.

  • ✦Grid or mosaic. A regular tiled wall, or a mosaic where each display sits anywhere on a canvas measured in millimeters, at any angle.
  • ✦Displays defined once. Outside size and bezel per display model, saved and reused across every wall you build.
  • ✦A decoder per tile. Each display is bound to its decoder from the room, and the source is stretched, fitted or cropped across the whole.
The video wall editor in mosaic mode: a beach photograph as the source over an 8000 by 4000 millimeter canvas, two displays placed on it at their real size and position, each labeled with its decoder, and a Layout Settings panel with the wall type, video profile, canvas size and picture mode.
Kramer Config

The settings underneath,
from the same console.

Routing is what a streamer does. Its network, its EDID and its configuration are set beside it, in Kramer Config.

  • ✦Network settings, from the console. Per device and per service — control, stream, Dante — the LAN port, 802.1Q, VLAN tag, CoS, DSCP, DHCP and IP. Staged, then published.
  • ✦EDID, assigned in bulk. A library of EDIDs with resolution, deep color and audio, assigned to decoders by model.
  • ✦Configuration presets. A device configuration saved as a preset for its model, published to any device of that model, with the published and assigned presets shown side by side.
Kramer Config, Network Settings: a list of KDS-100 encoders and decoders with their control and stream services and IP addresses, and a drawer for one device showing the Control service — LAN port, 802.1Q, VLAN tag, CoS, DSCP, DHCP, IP, subnet, gateway and DNS — with Stage and Publish buttons.
Deployment

In the cloud,
or on your site.

The same manager, two places to run it.

A few streamers can be managed one at a time. Once the count grows there is no managing them separately — which is what the manager is for, wherever it runs.

In the cloud
Part of Panta Rhei. Unlimited devices, licensed. Reaches streamers on remote and local networks.
On premises
A hardware appliance on the local network. Up to 200 managed devices.
Either way
Same manager, same matrix, same presets. Open APIs for control systems.
Straight answers

The questions AV teams actually ask.

Which devices does it manage?

Kramer AV-over-IP streamers: the KDS-100 family over H.264 and H.265, KDS-7, KDS-17 and UHD60 — encoders and decoders alike. They arrive through Discovery like every other device on the platform.

What is the difference between managed and controlled mode?

In managed mode the devices are locked and everything goes through the manager; several presets can be active at once, cross-validated. In controlled mode a device can still be driven directly; one preset is active, and applying another merges into it if there is no conflict.

Can I route just the audio, or just the USB?

Yes. A route can carry the whole stream or only its audio, video or USB. Expand a transmitter in the matrix and the routes are separate rows.

How do groups help?

A group is many devices as one target. Route to the group, or put it in a preset, and every device in it is routed in one click rather than a hundred.

Where do VLANs, IP addresses and EDID get set?

In Kramer Config, the companion service: network settings per device and service, staged and published; EDIDs assigned by model; and configuration presets. It sits beside AVoIP Manager in the same console.

Cloud or on premises?

Both. In the cloud it is part of Panta Rhei, licensed per device with no ceiling, reaching remote and local networks. On premises it is a hardware appliance for the local network, up to 200 managed devices.

Panta Rhei · AVoIP Manager

Bring the fleet.

Fifty streamers, three video walls and a preset that has to be right at 8am. Bring the estate and we will route it in front of you.

How do the streamers get into the manager? Discovered, like everything else.